Saludos Amigos (1942)

First, a history lesson: this was made around World War II, and the Nazi's had a good grip on a lot of smaller European countries. They had their eyes on South American countries like Argentina. so, to keep the Nazis at bay, America decided to endorse a policy on South America called The Good Neighbor Policy, where America wouldn't get involved in the domestic affairs of Latin America. It also reinforced the idea that the United States would be a “good neighbor” and engage in reciprocal exchanges with Latin American countries. This is where Walt Disney comes in: Disney characters, especially Donald Duck, were extremely popular in South America. So, Walt decided to make a film to show that America wanted to be in good relations with Latin America. The result was today's film, Saludos Amigos. (By the way: in a sense, this counts as WWII propaganda)

Like The Reluctant Dragon, Saludos Amigos was a Disney film that I never saw as a kid. Hell, I never heard of it before I started getting into animation! It's another obscure film that slipped under my radar. After watching it... well....there's a good reason why it's obscure. Not that it's god-awful (there's still some things that I like about it), it just could have been better. Much better. 

Well, the best synopsis I can give is that the Disney artists take a plane over to South America for ideas for new films. They visit different parts of the land down below like Lake Titicaca, the pampas of Argentina, and Rio de Janero and show you the cartoon they came up with after each trip. That's. About. It. 

So what are the cartoons? Like what I did with Fantasia, I'll analyze each little segment of the film.

Let's start with Lake Titicaca, where...



...How did they get here? Anywho, where Donald Duck visits the highest lake in the world and observes some aspects of the Andean culture. The trip ends quick when Donald and a llama get in trouble on a suspension bridge. Well, I think I analyzed it earlier in the blog and I think I praised it only for Milt Kahl's animation on the llama character. Looking at it again, the short is kind of boring. The llama scenes are actually the only entertaining part of the short. There's funnier Donald cartoons out there.

Then there's Pedro, the only short here with a coherent story. It's about a baby plane taking over his father's job of delivering the mail when he calls in sick. He succeeds and gains respect by braving the highest peak in the Andes mountains. It's a cute short, but it's the dullest short in the whole movie. 

Next up is in the Argentine pampas, where we meet up with Goofy demonstrating the art of being a gaucho, or coyboy. Like a lot of the Goofy cartoons of the 40's and 50's, it has some great slapstick comedy and is easily the funniest short in the movie. But again, there are better Goofy cartoons to watch. 

Last, but definitely not least is Aquarela do Brasil, or Watercolors of Brazil. We see an artist paint Brazil to the tune of Brazil, my all-time favorite song. Donald later appears and meets a green parrot named José Carioca. He shows Donald around Rio de Janero and introduces him to samba music. This is probably the only short that I really enjoy. The whole scene with the paint creating the Brazilian world in perfect harmony to the song Brazil is just awesome to me. It's really showcasing some of the best of Disney's art. There's also some scenes where the artist paints some things but it turns into something else, which is again really cool. Like you think he's painting a tree, but it's really a bird. Maybe if the whole movie was like this, I'd enjoy it more. 

To sum it up, Saludos Amigos, well, kind of dull. The animation is still good as usual, but it's their short cartoon animation. Don't get me wrong, I love the short animations, but after seeing Bambi before this, this film seems like a downgrade.But as far as the short animation goes, this is some of Disney's best, even if not even all of the film is animated. My biggest problem with it is the presentation. The narrator is really, really boring. I'm sure he's trying, but he just didn't help make it entertaining. On top of that, this feels like someone's vacation videos slapped together with the short cartoons the artists came up with. Does that really count as a movie? Maybe as a featurette, but not a whole movie. But's it's far from being awful. On the bright side, it is educational, as in you get a little culture out of it and they do show different languages, dances, songs, ect. That's pretty cool, I guess. The music is also fun to listen to. 

But this isn't very groundbreaking as a film and comes off, to me at least, very mediocre compared to the other Disney films. If I could improve it, I would have the whole film presented like the last short, Aquarela do Brazil and have  José  and Donald show the audience around not only Brazil, but also other parts of South America and maybe bump into some of the characters along the way. If you want to see Saludos Amigos just to see all the Disney movies, go check it out. Otherwise, just have it as a matinee for your kids on a Saturday afternoon or just skip it.

Bambi (1942)

Ah, Bambi. The charming little movie that scared millions of kids for life. No point in bringing up why. We all know what happened. No reason to say what it is. No sir... no point at al....

.... dammit....

Well, after watching it again I'm here to tell you that there's more to Bambi than that famous scene. So much more. First, let's look at the story.

One morning in the spring, a baby fawn is born. This gathers the attention of all the woodland critters (thank God not the South Park ones...) because this particular fawn happens to be the prince of the forest. Why? Because.... deer are graceful. Anyway, he is christened Bambi and learns much about the forest while gaining friends in a rabbit named Thumper and a skunk named Flower. All throughout the seasons, little Bambi learns all the skills he needs to live from his mother. Then winter comes and... you-know-what happens. His father is there to take Bambi under his wing (or foreleg) and returns to the forest as an adult in the spring, antlers and all. After reuniting with Thumper and Flower all grown up, they later get twitterpated and meet their future mates, including Bambi with a fawn he met only once as a fawn named Faline. After a fight with another stag, Bambi has won Faline over. All's well until the most sinister of creatures enters the wood and makes hell for the animals... MAN!! After a really intense climax, we cut to next spring when the forest recovers after a forest fire caused by man. It seems the cycle has started over again as Bambi and his father look over the next generation of forest royalty.

Well, to be honest, the artwork in this movie is fantastic. The backgrounds, I hear, were done entirely in watercolor, a Disney first. And it's pulled off very well. It's like watching Earth, you really feel like you're out in nature. Everything about it seems real. Even the animals are animated very realistically with a touch of that Disney style of course. I think that the animators must have actually studied how these animals act because their effort really shows. 

The characters themselves are just ok. Bambi himself isn't the most interesting character, but he's not supposed to be. He's more like the every man, an observer of the world and his character is carved from experiences. That's surprisingly very realistic. Also, there's something about Bambi's father. Every time Bambi sees him, he's more scared than happy. Sort of an interesting form of dysfunctional family we have here. Then again, I know that does are the ones taking care of the fawns and not bucks, so I supposed it's more true to nature this way. Nothing wrong with that. Anywho, since Bambi's the main focus, the other characters don't really have a chance for development, but they're still cute and enjoyable. I find myself liking Flower and that old owl had a lot of funny moments. 

Another great thing about it is the atmosphere. What I mean by that is that it's never really in the same tone. It mixes a lot of warm and cute scenes with ones more dark and forbearing. I know a lot of people give that famous scene a lot of attention, but there's other really intense scenes. I actually thought the end scene where Bambi fights off the dogs and escapes a forest fire where more intense and far more dramatic. Thankfully, the movie seems to find a perfect balance of happy with the dramatic stuff. It's funny how the atmosphere is the movie. Like I said before, the simplified version of the story is that it's about the life of one deer. The narrative isn't very coherent and clear cut. But, you know what? That's life! It's not always coherent and clear and Bambi seems to reflect that aspect so well. 

Best scene: too many to choose. But if you want to go for something funny, I just love the scene where the trio try to take an oath to never fall in love, but they wind up doing it anyway. Their reactions when they do meet their lady friends are hilarious. 

Overall, this is easily one of Disney's finest movies. The artwork and atmosphere mixed with a compelling coming-to-age story are way to good to pass up. Yeah, it gets intense at some parts, but I handled it fine as a kid and I suppose your kids can use some tough material. It's funny how even though I own the movie, this is actually one of the Disney films I watched the least as a kid and even as an adult. It's kind of like Citizen Kane or the Stanley Kubrick library, I respect it more than I watch. And I think that theory holds true for a lot of folks. Just have a tissue-box ready for when it happens.

Oh and I forgot to start the Sterling Holloway counter from Dumbo. We're on movie number two now.

Dumbo (1941)

Whenever I watch animated films, I can't always expect something with the majesty of Snow White or Fantasia. Sometimes, just having a lot of charm is enough to make me like them. Dumbo is one of those movies. 

One night, storks are delivering babies to circus animals in modern-day Florida (which begs the question: if storks deliver the babies, then what makes the babies?) One of the late deliveries of the circus is a baby elephant with unusually large ears. The other elephants make fun of him to the point where they ostracize him for his large ears, but his mother is there to give him love and care. One day, momma Jumbo tries to protect little Dumbo from jeering bastard-kids but gets caged and chained later because the people though she was attacking the kids out of nowhere. The only person there for him is a little mouse with a ringmaster clothes, a New-Yorkese accent, and a heart of gold. He tries to help Dumbo become accepted but as a result from one disastrous mistake on an act, Dumbo gets demoted to a clown. After a visit with his mother, Dumbo and the mouse get drunk (the mouse was trying to cure Dumbo's hiccups with what he thought was water) and wind up in a tree the next morning. The mouse tries to figure out how the hell the both of them wound up in a tree and come to the conclusion that Dumbo flew up the tree. With the help of some crows, Dumbo learns to fly and becomes a big hit in the circus. They even free momma Jumbo in the end! Yay!

That's the story. How does it fare?

Like I said earlier, Dumbo is a very charming film. It's not as artistically groundbreaking as Snow White or Fantasia, I don't think it was ever supposed to be. It just sets it's own rules and boundaries and performs well under them. As Doug Walker put it, the story is your typical outcast-with-what-appears-to-be-a-handicap-but-in-the-end-works-in-his-favor-and-becomes-accepted-by-society story, like Rudolph the Red Nosed Reindeer. The characters were a lot of fun and I enjoyed them for the most part. My personal favorite? Dumbo. It's rare for me to say I liked a main character in a Disney flick since I adore side characters mostly, but I just can't help but love the little guy. Even as a kid, I remember loving Dumbo to the point where I wanted him as a pet. What can I say, I love elephants. They're my favorite animals. Most of all, I find it fascinating that the Disney animators gave Dumbo a strong personality and not even give him a line to say. 

Speaking of characters, I'm sure a lot of you are curious to know how I feel about the crows seeing how they've caused some controversy over the years. Yeah, it's true that they speak slang and have mostly black actors portraying them (the leader is played by Cliff Edwards, who did the voice of Jiminy Cricket), but Disney never pulled them off like Sunflower in Fantasia or Song of the South. Well, truth be told, I really like these guys too. They're cool, they're classy, they have style, they become one of the few friends of our main hero and even help him fly. They're f-n awesome! But hey, there may be something I'm missing here, feel free to give a shout on that.

The best scene? With out thinking twice, the pink elephants sequence. Yeah, it's pointless and it traumatized a lot of my friends, but it's awesome!

Overall, I really have a soft spot for this movie. It's simple and really enjoyable with some good animation, even if it feels like I'm watching a short cartoon. But hey, I still love it. And apparently, so do a lot of folks. After doing some research, I found out that this movie actually cost a third of what it cost to make Snow White. It wound being such a big critical and financial success that it made over $1 back. It's a little film that really helped Disney in the long run because had the movie failed, the studio would have likely closed down. I'm grateful for that, so that's another reason why I always find myself putting Dumbo in my top 10 Disney films. 

One more thing: here's an ode to all the moms out there. Love you, Mom and thanks for everything.

The Reluctant Dragon (1941)

Before this point in the Year of Disney, we've witnessed some of the greatest animated films the studio will ever produce. Ever wonder how they made those films? This movie (or documentary?) is your answer. Let's take a look.

Our film begins at the home of comedian Robert Benchley. His demanding wife claims she has an idea for a new Disney cartoon based on Kenneth Grahame's (author of Wind in the Willows) story, The Reluctant Dragon and demands that her very reluctant husband go to Disney himself and pitch the idea. He goes there and actually gets more than he bargained for with an entire tour of the studio. Benchley gets to see every single process that goes through an animated film, from concept art to camera work, concept art, storyboards, sound effects, voice overs, how to impersonate Donald Duck, and more. He has a good time getting to know some of the artists until he meets uncle Walt himself and shows Benchley his latest short film. In some kind of a cruel twist, it's The Reluctant Dragon. After that, Benchley nags at him about getting there earlier to pitch her idea, he gets back at his wife by throwing a small tantrum a la Donald. 

Until I started looking at animation, this was one of the few Disney films that actually stayed under my radar. I mean, I've seem the titular short before, but never in it's source material. I will admit that after seeing it for the first time, I actually kind of enjoyed it. Like I said, you get a glimpse at how Disney made these cartoons before today's methods and even (what was then) a sneak-peek of some of the films I'm going to review next, Dumbo and Bambi. Benchley himself is entertaining and it is nice that you get to know the people that work on these films. More than what I can say for Saludos Amigos. The film also starts in black and white but ends in color. Sounds weird, but I think it's supposed to show how camera technology has changed, which is nice. You also get to see some short cartoons in between. The only thing I think I didn't care for was that officer that gives him the tour and Benchley's wife. They came off as kind of annoying to me.

The cartoons themselves are nice.I liked the Baby Weems story (done entirely by storyboards, but they were in that department so it makes sense.) and the Goofy cartoon, How to Ride a Horse, is hilarious. The title cartoon was only ok, I thought. The animation and colors are nice and it does actually get a laugh out of me, (especially the dragon and Sir Giles' "fight"). Trust me, I didn't expect the dragon to sound like he does. Hell, I saw the picture of him before and though the was a girl! Didn't see that coming, but he does get a laugh out of me by just how... well, femmy he was. It makes up the final 20 minutes of the film which kind of fits into Mr. Benchley ironic situation. It's funny and entertaining, but not Disney's best short. 

So that's The Reluctant Dragon. If you're interested in the process of traditional animation or if you just want to see some entertaining cartoons, I'd say give this movie a shot. 

Here's some poetry from our dragon.

Fantasia (1940)

For a while now, the Disney movies had simple, yet coherent stories to them. So for their third feature, Fantasia, it seems odd that they did the total opposite of that. It's not one story, but seven pieced together with classical music. The result is a film that's more than just a movie. It's a powerhouse of art and sets new standards for not just animated films, but music videos too. It's really the first Disney film mainly for adults, but there are things that kids can enjoy about it. It's not just my favorite Disney film, it's one of my favorite films of all time. 


Like I said before, it's not just one story, but a bunch of them with no dialogue except from our host, Deems Taylor and a scene with Mickey Mouse and our conductor, Leopold Stokowski. So because of that, I'm going to analyze each segment and then review it as a whole in the end. I'll do the same for other films like this, fyi. So, let's get started!


We get our introduction from Deems Taylor about how the film is going to be. He states that there are three kinds of music: First, there's the kind that tells a definite story. Then there's the kind that while it has no specific plot, it does paint a series of more or less definite pictures. And then there's a third kind, music that exists simply for its own sake. The first piece is music of the third kind, Johann Sebastian Bach's Toccata and Fugue in D Minor. What we see are a bunch of abstract images. It may seem pointless, but if you listen to it again and close your eyes, these images may be the first to jump in your mind. It's a very interesting and bold way to start your movie and easy one of the best scenes in the film.


The second is Pyotr Tchaikovsky's The Nutcracker Suite. This scene has a lot of nature themes in it, the biggest idea being that fairies control morning dew and even help with the changing of seasons. As the music goes on, we're also introduced to Chinese mushrooms, dancing flowers and goldfish, and end with summer turning into autumn and winter. It's another scene with powerful imagery. Sometimes, just the falling of leaves has a bigger impact than the internal struggles of a character. It's a great part and one I always enjoy seeing.


Next is the most famous scene: Mickey Mouse starring in Paul Dukas' The Sorcerer's Apprentice, and the first clear-cut story in the film. We see Mickey learning under a sorcerer named Yen Sid (see if you catch that reference!) as well as doing a few chores for him. One day, the master leaves his hat, leaving our mouse to make some mischief by turning a broom alive to do the work for him. Only problem is the broom doesn't stop. So, thinking fast, Mickey chops it up with an ax only to have it multiply. They flood the place until Yen Sid comes back and fixes everything. Obviously, this is the most kid-geared section of the music, but I'd be lying if I said it wasn't entertaining. Fun fact: this short is actually how the film came about. IT was originally supposed to be just this one, but Disney must have liked the idea and wanted to try it out some more music and stories. The love really shows here and in the other segments.


Now we have Igor Stravinsky's The Rite of Spring. Originally a series of tribal dances, the Disney artists had recreated Stravinsky's original idea for the piece: the evolution of life (at least up until the dinosaurs to avoid problems with religious folks.) This is probably my second favorite segment in the movie. There's a lot of drama and more serene moments in here, but that's life itself. Emotionally, I'm never sure how to feel when watching this. The dinosaurs are there, then they're gone. That's it. There's no good vs. evil, there's no heroes or villains. It's animals living their lives. And I always find stuff like that fascinating.


After that, we take a break and see the orchestra take a jazz break and watch a segment with an animated soundtrack. It's a nice break and this segment does get a chuckle out of me. On top of that, the animation on the soundtrack, like the rest of the film, is beautiful. So, I'd say give it a watch.


We come back to see an interesting interpretation on Ludwig van Beethoven's Pastoral Symphony (#6). Instead of the German countryside, like how Beethoven originally envisioned, we see a delicately colorful meadow inhabited by creatures and Gods of Greek mythology, like unicorns, satyrs, pegasus families, centaurs in love, a party hosted by Bacchus and his unicorn donkey (something I'd actually like to attend. He seems like a cool guy.), Zeus breaking up the party, and everyone settling down as the days end. It's pretty colorful and I have to admit, I do enjoy this segment too. It's at least in a lighter mood after the last, really heavy segment. I should also bring up the fact that this is usually censored in almost all prints available. Disney later edited out a black centaur character named Sunflower that acted as an assistant to all the other lady centaurs. I have seen a version with this character in it from YouTube (I guess someone had the original reel) and can tell you that while it's not the most racist thing I've ever seen (It's actually hard to tell with Disney...), Disney should at least have this open for people to make fair judgments for themselves. Another thing, they kept two zebra-centaurs in the film, so why edit Sunflower out if you're going to leve those two in? Besides, the efforts to edit her out are really obvious and a little distracting.


Ok, now we have Amilcare Ponchielli's Dance of the Hours as performed by hippos, ostriches, crocodiles, and elephants. Different parts of the ballet represent different parts of the day both visually and audibly. Out of all the segments in the film, this one is probably the funniest. There's some good, silly, physical humor in it while keeping a sense of dignity like the rest of the film. The choreography of the dancing is good, too.


At last, we come to the finale of Fantasia. Combining Modest Mussorgsky's Night on Bald Mountain with Franz Peter Schubert's Ave Maria sounds like an odd way to end your movie, but they contradict each other so much that it's downright beautiful. It combines all the darkest and most evil things on earth (including a kick-arse devil animated by Bill Tytla) with all the goodness in the world prevailing over it. This has to be, emotionally speaking, the most powerful scene not just in the movie, but out of everything Disney has done that I'm reviewing this year. I swear, that choir brings a tear to my eye every time... 


So that's the film in a nutshell. It's a very powerful tour de force not just in film, but the art of animation itself. Remember what I said about Snow White and Pinocchio working due to emotional simplicity? This is the film that perfects that concept. It's like going to an art museum if the exhibits were alive and moving in front of you. It's Disney's magnum opus. 


Fun fact here: Walt originally wanted this to be a part of a continuing series of films. Unfortunately, this film didn't make the money it needed back when it was first released (even though it was the 2nd or 3rd highest grossing film that year), making another was financially ridiculous. One was made almost 60 years later, but I'll get to that one when it comes around.  


How about some clips? Here's The Nutcracker Suite and Night on Bald Mountain/Ave Maria with some scenes of Sunflower that I mentioned.

Pinocchio (1940)

After the success of Snow White three years ago, we come to another landmark in Disney animation, Pinocchio. Another critical success as well as a financial one, this film became another staple in Disney animation. Let's take a look.

The story goes that one night a long time ago, a puppet maker in a village (I'm guessing in Italy) makes what he considers his best work yet: a little boy marionette he names "you-should-know-this-by-now". He makes a wish to a wishing star and wants nothing more than his puppet to be a real boy. Then suddenly, a Blue Fairy comes by and grants Gepetto his wish and appoints a little cricket named Jiminy Cricket to be the boy's conscience. The fairy also mentions that if Pinocchio learns right from wrong, he'll be a real boy. Together, the two overcome some obstacles so that Pinocchio can get his wish to be a real boy. After an exciting climax escaping a ferocious sperm whale, he sacrifices his own life to save his father. Seeing this, the Blue Fairy gives him life again, Jiminy receives an official conscience badge and they all lived happily ever after.

As weird as this premise sounds, the artists create this world for the movie where it doesn't have to make sense. I especially love it when Honest John (a fox) and his pal Gideon (a cat) are just walking down the street like normal people and are shocked to see a marionette skipping past them on his way to school. It's pretty damn hilarious when you think about it. There are more weird images than this in the film, like the nose growing when Pinocchio tells a lie or turning into a donkey when he's bad. But at least it has a purpose: it's there to teach lessons. And with visuals like that, they sort of stick to you like a burr to your sock.

The main characters are pretty good ones. Pinocchio himself is, forgive the pun, a real boy. He's curious, he wants to do good and bad things sometimes, but he's not rotten. What sets him apart is that he does learn his lessons in the end. Then there's Jiminy Cricket. I find it interesting that people have mixed feelings for this character: you either love him or you hate him. Me? I always thought he was an ok character. Give him credit, the story is told in his perspective. I do kind of like his voice and I did find him pretty appealing both visually and as a character. He clearly does want to help his friend out, but appears easily frustrated when things don't quite go as planned, which makes him a little more interesting. I give animator Ward Kimball my props for him. Oh, and Milt Kahl for Pinocchio too. One more thing: Gepetto has a few funny moments too, so you may enjoy him.

Like Snow White, emotional simplicity is what makes this film endearing. The difference being that in Snow White, where if you have a dark/sad moment, things turned out alright in the end. Here, it's not always like that. The bad guys were never defeated, they're still out there doing what they do, like the coachman (who I consider the most underrated Disney villian). He kidnapped boys and turned them into donkeys where they got sold to miners. He also keeps the ones who can still talk and God knows what he's gonna do to them. And, you know what? HE'S STILL OUT THERE KIDNAPPING MORE KIDS!

The songs are fun too, the best one being the title song When You Wish Upon a Star. The song's so famous that it's basically one of Disney's trademarks! Surprisingly, I hear it's causing some controversy over the theory that the song says just wishing for things will make everything ok. Well, I see it as more of a ray of hope, a bright light in an otherwise dark and melodramatic situation. After all, kids are much smarter than we give them credit for. They know things aren't going to be fine just for wishing for it to be ok. I've never meet anyone who took that idea seriously, so that argument is really invalid. I don't know, I guess someone needed something to complain about...

My final analysis: it's a great film filled with atmosphere kids and adults will appreciate, good characters and music, and some really dark and creepy imagery. Just don't watch this with anyone squeamish...
..
Feel brave enough? Here's the creepiest scene in the whole film... Enjoy!


Hope this makes you feel better: the most beautiful scene.

Some things first!

First of all, I'm really sorry I haven't posted in a week. The screen on my laptop broke and I'm currently waiting for a new one to arrive. So maybe tonight, I can get Pinocchio's review up followed by Fantasia another day this week. I'll try to catch up with the time I lost, so just bear with me here. And thanks for understanding.

-JSmith