Donald's Camera

Since I'll be in DisneyWorld next week, I'd thought I'd show one of my favorite Disney shorts. Yes, it's Donald. And yes, it's directed by the guy who created the duck and one of the best cartoon directors, Dick Lundy. The story is rather basic, but as expected from Disney, animation is top notch. There's also a pretty cool running cycle from the woodpecker character. (Funny. 6 years after this was made, Lundy would be directing some of the best Woody Woodpecker cartoons at Walter Lantz' studio. Coincidence?)

The biggest reason why I like this short is because Lundy has a few scenes where Donald's expressions aren't the kinds you would see in the "How to Draw Disney Characters" manual. As in some of them look exaggerated, but not quite on the Warner Bros. or Tex Avery level. It's the scene with the toothpaste worm dance gag. The duck had never looked more evil! (especially in the third picture!)

Cobra and Mongoose Redux

These are two characters I almost forgot about, the Cobra and Mongoose. They do have drawings here, you'll just have to go back to when I started this blog. Here they are with character profiles as I first drew them.

Some changes are that the mongoose's body and head are now more streamlined and almost like the real animal. The cobra, on the other hand, now has a smaller hood and head, a more outgoing and friendly personality, and is now a girl character.

They're still pretty much the same characters after all these years, though the cobra's has changed a little. Like I said earlier, she's friendly and outgoing, but she's not as scared of the mongoose as before.

Below is a colored model sheet to show what colors I used to create them. The cobra's now more brown and the mongoose is now more grey, just like the animals they're based on.

Poop Goes the Weasel

A guilty pleasure of mine.

Aside from it's title (really?), this one is actually one of the better 50's Noveltoons I've seen and it's certainly better than some of the Tweety cartoons from that era too. The animation on the weasel character is really sublime.

Popeye the Sailor Meets Sindbad the Sailor

My favorite Popeye cartoon growing up. It's great to see it fully restored to better colors that what I saw as a kid. A few pointers, this is the very first colored Popeye and it was nominated for the Academy Award for Best Animated Short Subject in 1936 but lost to Walt Disney's The Country Cousin. (How aside it being from Disney I'll never know...)

Everything about this short is great and top-notch for Fleischer's studio. The music, the turn-table layouts (I'm a big fan of that trick), Bluto's song at the beginning, Whimpy trying to eat the duck, the two-headed giant, and Popeye being... well, Popeye, were the best parts. The good news is that this cartoon's in the public domain as well as the two other Popeyes and one Betty Boop cartoon made in color.

I'm really beginning to get accustomed to the animation in these cartoons. There's great stuff from Will Bowsky, George Germanetti, Ed Nolan, and Orestes Calpini here. Bluto's closeups used to scare me when I was a kid, but now I think it's pretty unique for a cartoon from those days. It's the style of this and all the other Fleischer cartoons was what made thier 'toons really stand out from the other studios. They were, in a sense, the Warner Bros. of the 1930's.

Little Swee' Pea

I just started getting into Fleischer cartoons recently. I thought why not post a Popeye cartoon, so here we are.

I like how some of the backgrounds look realistic in these. I heard that what Fleischer did was he had a turntable with the setting on it and he filmed it then placed the animated characters in it. It's a neat process and something I oughtta look into in the future.

New Mascot or Character?

This is a character I've been working on for a few days. It's a jack-in-the-box toy named Charlie. He's excitable, eccentric, and something of a showman. His big dream is to be an entertainer, so he keeps everything he needs to put on a good show inside his box.

I'm not sure whether to put him with Bear and Eli or to have him as the mascot of JSmith Cartoons. Suggestions?

Eli's New Look

I redesigned Eli to have more elephant-like feet and hands to have a more natural feel. This way, his nose can act like his hands. Or a third one. Thoughts?

訪問日本から！ラルフのカズンリロイ!

Ralph's Japanese cousin Leroy comes to visit him. Everything seems to go OK except whenever Leroy sees Lionel, he goes berserk and wants to fight him to the death.

Leroy is Ralph's cousin from Japan. He looks like a Pokemon but is actually a mouse like Ralph. Around his American cousin, he's a very ...considerate, polite person. However, when provoked or whenever he bumps into a cat, he can turn into a neurotic sociopath who demands a fight using his bizarre powers.

Leroy is a satire of Japanese anime cartoons (specifically Pokemon). He's brown like Ralph, but has pink eyes and pointier ears. His tail alos makes a lightning bolt shape.

New Stuff and a New Character!

Some updates for those who read this blog. Here's a title sequence for the cartoon Mousse in Boots, starring Ralph and Lionel.


And on a major note, I've got a new character for the Bear & Eli cartoons!
This is Elanor, an orange toy elephant from the Bear and Eli universe. She's sort of a female counterpart of Eli. She's fun-loving, yet sensible like Bear. Her beret suggests her creative side. She loves to paint and come up with stories. She appears to have a crush on Eli, but he prefers that they stay friends thanks to his child-like persona. She's Bear's best friend aside from Eli and have a lot of fun writing stories together. She's the only character in the series that talks with a Mid-Atlantic accent.

Elanor's design comes from one of my own toy elephants. Like Elanor, she's orange with a green flower on her tummy. Who knows? I may wind up making Eli a best friend too. :)

A new title sequence for "Fountain of Goofs", a JSmith Productions Cartoon starring Benny and Gordon as Spaniards from the Age of Exploration looking for the Fountain of Youth.